“Goss’s Sonata for solo guitar (2006) finds him well and truly on home ground. Each of the three movements of the work takes as its starting-point a work from a different composer: Debussy for the Pastorale, Scarlatti for the Toccata and Beethoven for the Adagio sostenuto . Michael Partington, for whom the work was written, honours it with a supremely fluent performance, bringing out the harp-like qualities of the first, the rapid repeated notes and ringing, campanella effects in the second, and the poignancy of the double variations in the third.” International Record Review